Insufficient attention has been paid to the history of naughty girls, who deployed allure to prosper in a male-dominated world. Moralists insisted that they would all come to a bad end. From Jezebel to Cleopatra, Lady Hamilton to Becky Sharp, many did so. But not all. Salomé died a queen; Pamela Harriman, an ambassador.
There are also fates which transcend earthly glory. Mary Magdalene is often conflated with the woman taken in adultery. In a wooden sculpture, Donatello depicted her in old age, a pitiless portrayal of the ravages the flesh is heir to. Yet she rises above suffering. The expression on her face is beatific. ‘I know that I have been a wicked woman,’ she seems to be saying. ‘I also know that my Redeemer liveth. As I succoured Him in His hours of agony, He will succour me and forgive me in mine.’ No work of art has more pathos.
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