Scott Bradfield

Murder most casual: why Patricia Highsmith’s thrillers are so chilling

Richard Bradford uses Highsmith’s fiction to illustrate her perverse nature, but it’s the apparent ordinariness of her villains that makes them so disturbing

Highsmith’s villains are superficially normal people, all of whom mean to do well but end up doing horrible things instead. Credit: Getty Images.

Already a subscriber? Log in

This article is for subscribers only

Get a free bottle of Johnnie Walker Black Label when you subscribe to The Spectator for just £12 in our Black Friday sale

Offer extended due to popular demand: ${days} days ${hours} hrs ${minutes} mins ${seconds} secs
  • Free bottle of Johnnie Walker Black Label whisky, worth £30
  • Unlimited access to our website and app
  • Enjoy Spectator newsletters and podcasts
  • Explore our online archive, going back to 1828

Comments

Join the debate

Comments are subscriber only. Subscribe to The Spectator today.

Already a subscriber? Log in