Lloyd Evans Lloyd Evans

Muddled, tricksy and cheap: The Corn is Green at the Lyttelton Theatre reviewed

Plus: a bracing, fast-paced new drama at Hampstead Theatre that will appeal to those born before the 1960s

Nicola Walker plays the charmless Miss Moffat, while Iwan Davies is the literary genius Morgan Evans in The Corn is Green. Photo: Johan Persson 
issue 30 April 2022

The Corn is Green by Emlyn Williams is a sociology essay written in 1938 about a prickly tyrant, Miss Moffat, who tries to civilise Wales by setting up a village school where sooty-faced miners are taught to read and write. Miss Moffat is an unmarried English layabout who has money to burn and time on her hands and so, of course, she wants to ‘help’. You know the type? Director Dominic Cooke treats the script as a period joke and the actors are encouraged to mock their characters mercilessly. Hoots of cheap laughter echo around the theatre.

The show is presented very weirdly as a sort of botched technical rehearsal with lots of clunky sound effects and a Writer/Narrator on stage who paces about and shouts directions at the actors. This tricksy effect becomes very tiresome very quickly. And the playing area is cluttered with a choir of unwashed male stalkers who spend their time ogling Miss Moffat and bursting into song.

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