I wonder if Steven Spielberg is having second thoughts about Bridge of Spies in light of the attack on Paris? Spielberg’s latest film —released this week and tipped for Oscar glory — is an espionage thriller set at the height of the Cold War with no immediate relevance to the ‘war’ we find ourselves in today. But it contains a strong liberal message about the importance of observing due process when dealing with enemy combatants and prisoners of war.
The hero of Bridge of Spies is James Donovan (Tom Hanks), a straight-arrow insurance lawyer who is asked by the American government to defend Rudolf Abel (Mark Rylance), a Brooklyn-based artist who’s been caught spying for the Soviets. The reason Donovan’s been asked to do this, explains the man from the New York Bar Association, is that the government wants Abel to be seen to get a fair trial. Donovan has drawn the short straw because he worked as a prosecutor during the Nuremberg trials, although there’s also a suggestion it’s because he’s not a criminal lawyer and won’t be able to mount a robust defence.
Donovan turns out to be not just a capable lawyer, but a stickler for what he calls ‘the rule book’.
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