Joan Eardley
The Fleming Collection, 13 Berkeley Street, London W1, until 20 December
The interplay between realism and abstraction that occurred in the 1950s and 1960s in British art gave rise to a number of fascinating paintings as artists struggled to resolve the balance to their own satisfaction. The co-existence of these extremes in the art world had the effect of polarising opinion, yet some of the best solutions were supplied by those who could harness both drives and make them work in a single painting.
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