Robert Gorelangton

Moor and more

Robert Gore-Langton talks to one of the first black actors to break the British 'colour bar', about Ira Aldridge, a Victorian pioneer

issue 02 September 2017

In 1824 an ambitious teenage actor fled to England from his native New York where he had been beaten up once too often. He built a career here, being billed as ‘a Most Extraordinary Novelty, a Man of Colour’. What audiences encountered, however, was not the expected comedy of a simpleton mangling the Bard. They got instead an actor of thrilling charisma and deep natural ability.

Ira Aldridge soon became the first black actor to play Othello, taking over the part from the brandy-sodden genius Edmund Kean, who died mid-run due to what one obituary called his ‘vortex of dissipation’. Thanks to a slew of highly prejudiced reviews in London, Ira became a classic example of a tour de force who was forced to tour.

He expanded his repertoire with Shylock, Richard III, Aaron the Moor, Macbeth, and the wonderful Oroonoko — a dramatisation of Aphra Behn’s 1688 novel about an enslaved African prince.

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