Susan Moore

Money talk

issue 26 November 2011

At least one market posted strong results in November. That was the market for contemporary art. In just four days in New York — 7 to 10 November — a phenomenal $775 million was spent on postwar and contemporary art at auction alone (who knows what deals were transacted privately). Sotheby’s evening sale exceeded its expectations by more than $45 million. Here, a real market rarity, a magnificent painting by the American Abstract Expressionist Clyfford Still, fetched a mighty $61.7 million. Some 45 works sold for over $1 million; seven sold for more than $10 million. Good news, one might say — but only up to a point.

It is a sign of the times that the flow of funds that has been diverted into the contemporary art market over the past two decades has turned into a flood. What was once — in commercial terms — a relative backwater has become the chosen vehicle for global financial speculation.

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in