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Dance and eroticism have long gone hand in hand. For centuries, moving bodies have been regarded as arousing and dangerously tempting. Twenty-first-century adverts still draw upon that popular equation and delve more or less seriously into the intrinsic sensuality of dance, whether it be ballet, modern or even street dance. Yet the continuous bombardment of alluring images we are subjected to every day has somewhat tempered the erotic impact of those dancing bodies. Thanks to a multiplicity of urban, suburban, extra-urban, postmodern and transmodern cultures and meta cultures, today we are far more used to the sight of an erotically moving, and often perfect, body than we were only 15 years ago. Iconographic and even performing taboos have rapidly waned within the same time span, with serious consequences for those who look to sensuality and eroticism as sources of inspiration for their creations.
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