James Walton

Michaela Coel’s dazzling finale reminds me of Philip Roth: I May Destroy You reviewed

Rather anticlimactically, Roth’s own The Plot Against America, adapted for Sky Atlantic, is shaping up to be both perfectly watchable and ultimately disappointing

Dazzling: Paapa Essiedu (Kwame), Michaela Coel (Arabella) and Weruche Opia (Terry) in I May Destroy You. BBC / Various Artists Ltd and FALKNA / Natalie Seery 
issue 18 July 2020

It might seem a bit of a stretch to see deep similarities between Michaela Coel (young, female, black and currently very fashionable indeed) and the late Philip Roth (increasingly discredited as an embodiment of all those phallocentric white guys who once ruled American fiction merely because they were great writers). Nonetheless, this week’s television made it hard not to. On Tuesday night, as an adaptation of Roth’s The Plot Against America began on Sky Atlantic, Coel’s I May Destroy You was serving up a dazzling final episode that confirmed how Rothian the series has been.

For one thing, the main character Arabella, played by Coel herself, was — like many a Roth protagonist — not just a writer, but a writer concerned with transforming autobiographical experience into the kind of fiction that, in a tricksy twist, is partly about its own creation. The show, by now famously, was based on a sexual assault Coel suffered after her drink was spiked.

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