New York
I find most films nowadays as fascinating as a lengthy history of orthodontics but then I’m spoilt rotten, having watched old black-and-white pearls such as From Here to Eternity, The Asphalt Jungle and My Man Godfrey. When Chariots of Fire came out some 40 years ago I went bananas. My uncle had competed in the hurdles in both the 1932 and 1936 Olympics, and my father was on the relay team. Athletics back then were for pure amateurs only, and as in the case of the great Jim Thorpe, anyone caught having ever been paid even a dollar for competing in any sport in or out of the Olympics was obliged to give the medal back. Chariots of Fire captured the will, luminosity and purity of the amateur athlete who competes honourably for glory and would rather die than cheat. Which brings me to the latest film my friend Michael Mailer has directed, and whose premiere I attended last week in the Bagel.
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