Duncan Neville is an unlikely hero for a novel. Approaching 50, divorced and the butt of his teenage son Jamie’s utter contempt, Duncan is also the eloquent yet mild-mannered editor of the Francombe Mercury, a local newspaper on its last legs. Francombe too has seen better days, not least since its pier burnt down in 2013 (an event covered fulsomely in the Mercury).
While Duncan negotiates a good take-over deal for Mercury staff and their pensions, he’s also trying to prevent the ruined pier from being developed into a sex theme park by his schoolboy nemesis Geoffrey Weedon. The fact that Duncan’s ex-wife Linda is married to Geoffrey’s brother doesn’t help. Thank goodness then for Ellen, a new arrival to Francombe after the jailing of her fraudster husband. And thank God for Henry the vicar, whose despair and guilt over his homosexuality soothe Duncan in his own periods of self-doubt.
A narrative like this plays to Arditti’s great strength, dissecting modern relationships.
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