Deborah Ross

Memories, dreams, reflections

Laurie Anderson's dreamy cine-poem to her rat terrier follows no linear logic – it goes where it goes, drifts where it drifts, sniffs where it sniffs

issue 21 May 2016

Heart of a Dog is a film by Laurie Anderson and it’s a meditative, free-associating rumination on life, loss, love and dogs, with particular reference to her and her late husband’s (Lou Reed, who died in 2013) beloved rat terrier, Lolabelle (who died the same year).

It follows no linear logic. It’s a visual collage, a cine-poem, a dreamy documentary essay that was screened in London earlier this week to owners and their dogs — to rave reviews. ‘It’s great!’ said a golden retriever, but as he said the same of ‘a ball’ and also ‘a pizza crust’, he may not be the most reliable of critics. (This is why you never see golden retrievers on Film 2016 or writing for Sight & Sound.) For myself, I found it a bit weird, I grant you, but also wise and thought-provoking — ‘you should learn how to feel sad without being sad’; I’m still trying to work that one out — and strangely hypnotic.

Plus, it’s all done and dusted in an hour and 15 minutes which, as far as existential journeys go, is probably less time than it takes to get through to your bank or BT, in my experience.

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