Mark Steyn

Meet the moppets

issue 21 January 2006

Years ago a movie buff pal said to me he couldn’t understand why I liked the theatre. ‘A great show is only great to the people who were there,’ he said. ‘A great film is for ever.’ Ha! Tell it to your humble critic after a month in which he’s reviewed the ‘new’ King Kong, the ‘new’ Producers and now the ‘new’ Fun with Dick and Jane, with a week off for Brokeback Mountain (or Fun with Dick). Like the old warhorses of the provincial rep, movies are now revived every few years with a new set and a younger cast.

And yet, even in as cannibalistic a village as Hollywood, who’d have thought they’d opt for a second bite at Fun with Dick and Jane? Thirty years ago, it was a modest hit for two Canadians, the director Ted Kotcheff and co-screenwriter (and sometime Spectator contributor) Mordecai Richler. Now another Canadian, star and producer Jim Carrey, has clamped the electrodes to the corpse and jumped it back into life.

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