To be a folk music fan in Britain today is to be jangling the keys to a cultural palace. For a variety of reasons, we seem to have produced the most brilliant young musicians in decades — but the rest of the world has always seemed rather more excited about the fact than we are. We have started to export musicians, from Spain to Novia Scotia, who go on to musical achievements that are seldom recognised, let alone celebrated, back home. Of the ten million Brits who tuned into the Eurovision song contest, not many would have guessed that the Danish winner was yet another young protégée of a British folk musician.
Until a few months ago Emmelié Charlotte-Victoria de Forest was as unknown to Denmark as she was to the rest of the continent. Cynical souls who watch Eurovision to indulge a sense of schadenfreude might have imagined that the 19-year-old — with her pin-up good looks and barefoot, elfin vibe — was another carefully constructed product of the pop industry.
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