Alasdair Palmer

Medieval mystery

<em>Alasdair Palmer</em> on how the restoration of a castle in northern Italy could change the established view of 15th-century art history

issue 09 February 2013

Medieval castles are generally dark and forbidding places that look as if they were built to prove the proposition that ‘form follows function’: the function was to be impregnable, and their high walls, crenelated and machicolated battlements, and slits for firing arrows instead of windows suggest that everything was subordinated to that dour defensive purpose. Castles are gloomy, intimidating buildings that sink the spirits. They were meant to intimidate and depress the population, and they succeeded. They still do.

But we may have the wrong idea about castles. Recent research suggests that, in Italy at least, far from being solidly monochrome blocks, they may have been a riot of colour. The town of Vignola, south west of Bologna, has an impressive castle that was rebuilt in the early 15th century. From a distance, it conforms to type: sheer walls unrelieved by windows; dark, looming towers; and an outline that sends the message ‘abandon hope, all who enter here’.

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