Patrick Carnegy

Making waves

Black Eyed Susan, Theatre Royal, Bury St Edmunds; Twelfth Night, Courtyard Theatre, Stratford-upon-Avon

issue 22 September 2007

Between the towering majesty of Greene King’s brewery and its bottling plant in Bury St Edmunds nestles the Georgian gem of the Theatre Royal. Built in 1819 by William Wilkins (architect of the National Gallery) and now reopening after a £5 million restoration, its survival is something of a miracle. From 1925 it was effectively swallowed by the brewery when it was used as a barrel store. Reclaimed in 1965, it remains the sole surviving working theatre from the Regency period. The new and brilliantly executed refurbishment strikes an ideal balance between fidelity to Wilkins’s exquisitely proportioned semi-circular auditorium and the modernising provision of 360 comfortable seats (the original theatre would have crammed in up to 800 on backless benches), a welcoming foyer (with bar and restaurant) and decent loos (instead of ‘three earth closets’).

Most Georgian playhouses fell victim either to fire or to the Victorian taste for entertainment on a more grandiose scale.

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