A double magnum is a triumphant spectacle. A single bottle of claret looks slender, elegant: a suggestion of a late Gothic spire. In the 15th century, architects bent their efforts to achieve effortlessness: stone sublimated into light; ethereal, disembodied, breath-taking columns, ad maiorem Dei gloriam, shooting upwards like fireworks to make love to the sky: flamboyant. A double magnum rests on firmer foundations. Robust and proud on its massy haunches, this is Atlas or Antaeus, not Ariel. A double magnum is Romanesque, Norman. Far from seeking to conceal power, it revels in it. In its mighty eminence, Durham Cathedral tenses itself on primevally igneous rock, like a crouching lion, overawing the heavens and the earth. On the lesser dimensions of a dinner-table, a double magnum can have a similar effect.
There can be frustrations. Washington, 1980: a friend calls. She and some other girls are fixing dinner; will I come? I promise wine, and deliver.
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