Richard Bratby

Magical: The Box of Delights, at Royal Shakespeare Theatre, reviewed

Plus: Tracy-Ann Oberman's Merchant of Venice shakes you to your core

The joyous stagecraft of the Royal Shakespeare Company's Box of Delights. Photo: Manuel Harlan / RSC  
issue 25 November 2023

In Stratford-upon-Avon, the wolves are running. And if you’re old enough to feel a little thrill of wintery excitement at those words, you’ll have questions of your own about the Royal Shakespeare Company’s The Box of Delights. Questions about talking rats and flying cars, and whether time and tide and buttered eggs still wait for no man. John Masefield’s novel thrived on radio adaptations for decades after its publication in 1935 but the beloved BBC TV version was in 1984, and four decades is a horribly long time. Piers Torday’s new dramatisation faces the double challenge of entertaining a new generation of youngsters while also pleasing the nostalgia-addled oldies who are, after all, splashing the cash.

When did the Royal Shakespeare Theatre last see such a teeming, joyous abundance of stagecraft?

I can’t speak for the kids, although the ones at this Saturday matinee seemed rapt. The first scene is ominous – a modern-day Kay Harker (Callum Balmforth) dressed in a tracksuit – but don’t panic.

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