Richard Bratby

The Maestro, Ennio Morricone, interviewed: ‘I am a real composer’

Richard Bratby discovered that the pop-cultural phenomenon is actually a major modernist composer hiding in plain sight

issue 27 October 2018

Ennio Morricone, the Oscar-winning Italian film composer, has died at the age of 91. Here, Richard Bratby spoke to the ‘Maestro’.


Ennio Morricone’s staff wish it to be known that he does not write soundtracks. ‘Maestro Morricone writes “Film Music” NOT “Sound Tracks”’, explain the printed interview guidelines. ‘Maestro Morricone is a composer. Composers do not use the piano to compose music with, they write their music down directly in musical notes without the interference of any musical instrument.’ Well, that’s Beethoven told. In the classical music world, you hear tales about ‘riders’, the Spinal Tap-like lists of minimum requirements that pop stars issue before consenting to walk among mortal men. You don’t tend to encounter them, though. In the UK, eminent conductors are addressed as ‘Simon’ or ‘Andris’. Morricone? ‘Maestro will do,’ writes his management.

Morricone constructs his themes according to rigorous precepts, sometimes before he has seen the film

But why pretend otherwise? At 89, Morricone is a pop-cultural phenomenon, whose music for more than 500 films including The Mission, A Fistful of Dollars and Cinema Paradiso props up every movie compilation CD you’ve ever seen discounted at Tesco, and whose 1960s scores for Sergio Leone’s psychological westerns (‘Try to avoid the term “Spaghetti Westerns”,’ caution the guidelines.

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in