Martin Gayford examines the extraordinary lives — and deaths — of great artists and suggests that there is a link between manic depression and creativity
In the summer of 1667 the architect Francesco Borromini — one of the most brilliant figures of the Italian baroque — fell into what was later described as a ‘hypochondria’, complicated by fever. ‘He twisted his mouth in a thousand horrid ways, rolled his eyes from time to time in a fearful manner, and sometimes would roar and tremble like an irate lion.’ Doctors and priests were consulted, all of whom agreed that he should never be left alone, should be prevented from working, and all efforts made to encourage him to sleep so that ‘his spirit might calm down’.
But these efforts were unavailing; the patient grew worse. The failure of his servants to obey his orders enraged him. On the night of 2 August he asked repeatedly for a light, a pen and some paper, but on doctor’s orders was refused.
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