Deborah Ross

Mad about the boy | 7 January 2016

The film derives much of its power from the central performances. And though it’s hard to watch, there are moments of joy

issue 09 January 2016

This is the week of The Hateful Eight, the latest Quentin Tarantino film, but Tarantino being Tarantino, there were no screenings for reviewers, so I’ve yet to see it. There also seems to have been some falling out with the Cineworld, Picturehouse and Curzon chains such that their cinemas won’t be showing the film at all. Tarantino, such a pain, and if we were to meet, which I admit is unlikely —we move in very different circles — I would have no hesitation in telling him so. What’s he going to do? Slice off one of my ears, nail me to the wall with the other, stroll off to lunch, then come back and pump my chest full of bullets? On the other hand, I could just keep quiet, I suppose.

So, instead of The Hateful Eight, I offer you Room, which isn’t out until next week, but there’s nothing much else around, so you’re just going to have to live with it.

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in