Lloyd Evans Lloyd Evans

Love, sex, sponges and disability

Plus: Michelle Collins provides a note of humanity to a laddish tale of vodka, weed and grubby sex at Park Theatre

issue 09 February 2019

Hampstead has become quite a hit-factory since Ed Hall took over. His foreign policy is admirably simple. He scours New York for popular shows and spirits them over to London. His latest effort, Cost of Living, has attracted the film-star talent of Adrian Lester, who plays Eddie, a loquacious white trucker from Utah. (His ethnicity is made clear in the dialogue and the relevant lines have been left unchanged.) Earnest Eddie tells us about himself in a 15-minute monologue at the top of the show. Rather a clunky device. He’s a bookish teetotaller with a strong work ethic who appreciates the landscape of Utah, enjoys listening to Erik Satie’s over-played Gymnopédies, and spends his evenings and weekends caring for his -crippled ex-wife who lost both her legs in an accident.

How real is Eddie? A sensitive, noble, charming, do-gooding redneck who doesn’t drink? He feels like a midwest fantasy figure invented by an east coast sentimentalist.

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