Andrew Lambirth

Look back with pleasure

issue 27 August 2005

The Bloomberg Space on the edge of Finsbury Square is a fine ground-floor gallery with rocketing ceilings that exudes wealth and sophistication. It’s a rare and pleasantly civilised experience to walk in off the street and not only be welcomed but also handed a complimentary catalogue of the exhibition. The catalogue is a modest illustrated pamphlet containing ample information about both artists and exhibits — sufficient even for the knowledgeable spectator. Here are none of the door-stopper tomes beloved of academic curators, just a neat, stapled brochure, and a handlist of the exhibits if you require more specific information. The surroundings are spacious and elegant. Museums should be like this. Since they aren’t, perhaps the burden of more exhibitions should be shouldered by the likes of Bloomberg — eminently capable City firms with a strong interest in the arts who have the space to mount temporary displays.

The current Bloomberg loan exhibition is focused on the year 1979, apparently in honour of the first British Art Show, which was curated in that year by the redoubtable critic William Packer.

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