Andrew Lambirth

Lonely Lakelander

<em>Andrew Lambirth</em> on the rising reputation of the eccentric and chaotic Cumbrian artist Percy Kelly

issue 24 November 2012

Five years ago I had never heard of Percy Kelly (1918–93). I knew the work of some Cumbria artists, and much admired the dark and moody landscapes of Sheila Fell (1931–79), for instance, but Percy Kelly had not then registered on my radar. He was already highly regarded in the Lake District, but it was not until after his death that his work was really exhibited and promoted. He was one of those artists who believe in their own value, and want others to share their high opinion, but are not prepared to sell their work to achieve this. Time and again Kelly was offered exhibitions and sabotaged them, while potential buyers were frustrated in their attempts to purchase the paintings and drawings they admired. Only posthumously was this to change, and in the past two decades the work of Percy Kelly has become increasingly valued and widely known.

Looking through my bookshelves, I now have seven paperback and four hardback publications devoted to Kelly.

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