When Hugh and Mirabel Cecil’s book In Search of Rex Whistler was published in 2012, the late Brian Sewell reviewed it with typical insight and lack of generosity. Despite recognising the artist as an extraordinary talent and perhaps the inventor of neo-romanticism, he regretted that Whistler would never be taken sufficiently seriously and pronounced it the last book on him.
Happily the Cecils have now proved Sewell wrong several times over. Hugh Cecil’s father, David, was a close friend of the artist, and these volumes seem in part to constitute the continuation of a family’s love for a man who inspired affection wherever he went. Along with a recent book by Anna Thomasson on Whistler’s friendship with Edith Olivier, exhibitions in London and Salisbury and a growing interest in Whistler’s work at auction, they suggest there may even be a revival under way.
It is true that there are challenges.
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