Andrew Lambirth

Line man

issue 19 January 2013

One of the pleasures of the critic’s life is to review exhibitions of work by artists who have been forgotten or overlooked, and to recommend them for general attention. I know some arts editors are only interested in fashionable or mainstream artists, but I’m happy to say that The Spectator’s editorial policy is altogether more wide-ranging. Hence this review of the unjustly neglected Randolph Schwabe (1885–1948), an artist who believed in the value of classical draughtsmanship, which he promulgated through a lifetime of teaching. German by origin (his cotton merchant grandfather settled near Manchester), he trained at the Slade, then studied in Paris and travelled in Italy before returning to England. He taught drawing at Camberwell, was appointed Drawing Master at the Royal College of Art under William Rothenstein, and in February 1930 succeeded the great Henry Tonks as Professor and Principal of the Slade, a post he retained until his death.

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