Julie Burchill Julie Burchill

What happened to the working class?

English playwright and actor Joe Orton (Credit: Getty images)

The Sunday Times’s headline for the obituary of Edward Bond earlier this month was striking: ‘Briton who rose from a working class background to make an indelible mark on Theatreland.’ The month before that, the playwright Bernard Kops joined the majority, and I was interested to read in the Guardian that ‘both his father, Joel, a tailor, and his mother, Jenny were Dutch-Jewish immigrants. He was educated at Stepney Jewish primary school and, he said, “the university of the poor”, Whitechapel library, where he read voraciously and decided to become a writer, sustaining himself as a docker and barrow boy’.

The Kops obituary also mentioned his contemporary Arnold Wesker, who grew up in a council flat in Stepney. Then there was Joe Orton, who failed his 11-plus and became a theatrical sensation in the sixties – and Shelagh Delaney, a bus conductor’s daughter and another 11-plus flunker who had a massive hit with A Taste Of Honey in 1958.

Get Britain's best politics newsletters

Register to get The Spectator's insight and opinion straight to your inbox. You can then read two free articles each week.

Already a subscriber? Log in

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in