Jonathan Mcaloon

Let’s hear it for the boys

The long-running series, which is about to come to an end, offers one of the most sound critiques of modern man available on TV

issue 25 March 2017

Girls creator Lena Dunham has received criticism from all sides. Detractors on the right see her as an exhibitionist provocateur. Those on the left see her as a privileged narcissist, who can’t help but see feminism through a white middle-class prism — and who unforgivably rooted for Hillary Clinton over Bernie Sanders.

The HBO show that made Dunham’s name, which she has written and starred in since her early twenties, is on its final season. It has portrayed the young lives and friendships of four millennial women trying to succeed, or just subsist, in New York, and how their dreams either lose grandeur when they come true or don’t come true at all. It honestly and often messily bears witness to a generation trying to negotiate sex and new relationships, where everything seems to be permitted. It also offers one ofthe most revealing and sound critiques of themodern man available on television.

Say what you like about Dunham, but she can write men.

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