The latest issue of The Spectator is out tomorrow, but we thought that arts blog readers might appreciate a very special preview of one of its articles. It’s by Michael Henderson, and takes umbrage with Katherine Jenkins’ recent comments about opera and elitism:
Last month, on the most glorious of autumnal days, the world of music paid its last respects to Robert Tear. St Martin in the Fields was packed and the singing, as you can imagine, was magnificent. Sir Thomas Allen gave us Kurt Weill’s ‘September Song’, Sir John Tomlinson contributed Sarastro’s aria from Zauberflöte, and Dame Janet Baker read a poem by Emily Dickinson. It was some send-off.
Bob deserved no less. As well as being one of the finest tenors of the past half-century, he was a man of many accomplishments, not the least of which, as his agent Martin Campbell-White said in a splendid address, was being ‘effortlessly friendly’.
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