Wolfgang Herrndorf’s Sand (Pushkin Press, £14.99) is set in 1972 and moves back and forth between a North African city and a small unruly town surrounding an oasis. One man is on the run through the desert regions: he has no name, no memory and no clue as to why he’s being pursued by at least three different parties, all intent on doing him harm. Other characters inter-mingle with this tale of woe: ineffectual detectives, a glamorous sales agent, a commune of hippies, and a paranoid spy whose sense of purpose evaporates in the midday heat. The sun bakes the streets, the sand, people’s faces. And their minds.
The amnesiac really does suffer, painfully at times, running blindly from one problem to the next. Every element of his story is woven together masterfully, with grain upon grain of detail added to a landscape that never stops shifting underfoot. It’s part Pynchon, part Beckett, a crime story told by Lewis Carroll in a particularly nihilistic mood.
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