Lloyd Evans Lloyd Evans

Kwame Kwei-Armah’s embarrassing update of Love Thy Neighbour: Beneatha’s Place, at the Young Vic, reviewed

Plus: another race-hate play at the Arcola Theatre

Cherrelle Skeete, Zackary Momoh, Tom Godwin and Nia Gywnne in Beneatha’s Place at Young Vic. Image: © Johan Persson  
issue 15 July 2023

Beneatha’s Place, set in the 1950s, follows a black couple who encounter racial prejudice when they move to a predominately white suburb. The location is Nigeria but it might as well be the USA because most of the characters, both black and white, are American. (The Young Vic has strong links with America, and a transfer to Broadway may be under discussion.) The script by Kwame Kwei-Armah is inspired by the British sitcom Love Thy Neighbour, which aired five decades ago. This misunderstood show was pretty progressive for the 1970s, and it examined the conflict between two thick white bigots living next door to an intelligent and sophisticated couple from the Caribbean.

To see a play about racism in America that treats Asia as if it doesn’t exist is staggering

The format of this play is more or less identical but the dialogue is malignant rather than frivolous. The white Americans are idiotically patronising and they assume that no person of colour can use a light switch or run a bath.

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