Lloyd Evans Lloyd Evans

Keeping it in the family

Plus: the Globe’s King Lear is one of the ugliest productions I’ve ever seen

issue 09 September 2017

A new orthodoxy governs the casting process in Hollywood. An actor’s ethnicity must match the character’s. If you extend this decree to Shakespeare, you need Macbeth to be played by a Highlander, Shylock by a Venetian Jew, Richard III by an English hunchback and Cleopatra by an Egyptian who has slept with her brother. As for Hamlet, the play can only be entrusted to a family of incestuous Scandinavians. Gyles Brandreth (whose name means ‘firebrand’ or ‘sword’ in old Norse) has anticipated the trend by staging a production alongside his son and his daughter-in-law. Benet Brandreth plays the Dane while his wife, Kosha, plays Ophelia, Gertrude, Rosencrantz, Laertes and Horatio. Brandreth Snr takes the older roles.

This amazing stunt includes some genuine discoveries. The trimmed-down text, ingeniously edited by Imogen Bond, deserves to become a standard version for students and am-dram performers wishing to explore the drama with a tiny cast.

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