Lloyd Evans Lloyd Evans

Kate Tempest

Few would describe the south Londoner’s poetry as ‘moreish’. Less-ish, perhaps

issue 08 October 2016

Kate Tempest, a 30 year old dramatist and poet, has an appeal that’s hard to fathom. Is it all in the elbows? Like most performers raised on hip hop, she recites with her upper limbs flapping and wiggling as if by remote control. For emphasis she uses that impatient downward flicking gesture, beloved of rappers, like a countess at a buffet ridding her fingers of unwanted guacamole.

Few would describe the south Londoner’s poetry as ‘moreish’. Less ish, perhaps. She sates the ear too rapidly because her technique has an obvious and easily corrected fault: no variety. Tempo and mood never change, so she can’t create expectation, uncertainty, surprise or relief. Every line sounds like its predecessor, half sung on a falling note, and every word seems to exult in its contact with the dolorous and moribund. Here’s a snippet from ‘My Shakespeare’, which the RSC, along with BP, commissioned from her in 2012.

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