James Walton

Kate Bush Hammersmith Apollo review: Still crazy after all these years

Would a few more hits have been such a terrible thing?

Second coming: Kate Bush is now regarded with almost universal awe [Ken Mckay/rex] 
issue 30 August 2014

It says something about Kate Bush’s standing in the music world that, perhaps uniquely in the history of long-awaited live comebacks, nobody has suggested — or possibly even thought — that her motives might be financial. After all, this is a woman who’s stuck to her artistic guns ever since, aged 19, she defied EMI by insisting that her first single should be the abidingly peculiar ‘Wuthering Heights’. So, a famous 35 years after her last stage appearance, how on earth could she live up to such a fiercely idiosyncratic career, now regarded with almost universal awe?

Well, at first the answer seemed to be by doing the most unexpected thing of all: serving up a bog-standard rock concert. The lights dimmed, the cheers resounded and on she came to give us a rather workmanlike performance of well-liked album tracks interspersed with the classic hits ‘Running up that Hill’ and ‘Hounds of Love’.

Get Britain's best politics newsletters

Register to get The Spectator's insight and opinion straight to your inbox. You can then read two free articles each week.

Already a subscriber? Log in

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in