James Walton

Kate Bush Hammersmith Apollo review: Still crazy after all these years

Would a few more hits have been such a terrible thing?

Second coming: Kate Bush is now regarded with almost universal awe [Ken Mckay/rex] 
issue 30 August 2014

It says something about Kate Bush’s standing in the music world that, perhaps uniquely in the history of long-awaited live comebacks, nobody has suggested — or possibly even thought — that her motives might be financial. After all, this is a woman who’s stuck to her artistic guns ever since, aged 19, she defied EMI by insisting that her first single should be the abidingly peculiar ‘Wuthering Heights’. So, a famous 35 years after her last stage appearance, how on earth could she live up to such a fiercely idiosyncratic career, now regarded with almost universal awe?

Well, at first the answer seemed to be by doing the most unexpected thing of all: serving up a bog-standard rock concert. The lights dimmed, the cheers resounded and on she came to give us a rather workmanlike performance of well-liked album tracks interspersed with the classic hits ‘Running up that Hill’ and ‘Hounds of Love’.

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