Lloyd Evans Lloyd Evans

Joyously liberating: Tony! [The Tony Blair Rock Opera] reviewed

Plus: a play about Socrates is that rare thing: a production that ends too soon

Could be a smash: Kaye Brown, Charlie Baker and Gary Trainor in Tony! [The Tony Blair Rock Opera]. Credit: Mark Douet Kaye Brown, Charlie Baker and Gary Trainor 
issue 18 June 2022

Harry Hill’s latest musical traces Tony Blair’s bizarre career from student pacifist to war-mongering plaything of the United States. With co-writer Steve Brown, Hill has created a ramshackle, hasty-looking production that deliberately conceals the slickness and concentrated energy of its witty lyrics, superb visuals and terrific music.

The last thing it wants to seem is sophisticated and it starts off with a parade of New Labour grandees, all grotesquely overblown. John Prescott is a violent northern drunkard who wants to punch everyone in the face – including the Scots because ‘they’re too far north to be proper north’. Robin Cook is a cerebral sex maniac. David Blunkett gets pulled around by his guide dog because, being blind, he hasn’t fitted the lead correctly. Even John Smith’s fatal heart attack is mocked but the show avoids the charge of bad taste because it has a child-like innocence and a spirit of zany escapism.

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