John Aubrey and his circle: those magnificent men and their flying machines

John Aubrey investigated everything from the workings of the brain, the causation of winds and the origins of Stonehenge to how to cure the fungal infection thrush by jamming a live frog into a child’s mouth (you hold it there until it — the frog — suffocates, then replace it with a fresh frog).

He seemed half-cracked as often as not to less empirical 17th-century contemporaries, and for most of the next 200 years posterity forgot him. His astonishing renaissance in the last century owed much to two novelists: Anthony Powell, who published a biography, followed by a selection of Aubrey’s Brief Lives in 1949, and John Fowles, who brought out his Monumenta Britannica for the first time in 1980. By this time Aubrey had captivated the public on both sides of the Atlantic on stage and screen in a magical performance by Roy Dotrice, who played him as a quavery old codger, doddering about in an interior as chaotically crowded as his own mind.