It has become a commonplace to observe that, 60 years ago, when President John F. Kennedy was assassinated in Dealey Plaza, Dallas, America lost its innocence – or at least the myth of its innocence. Certainly, the event has left a stubborn impression on history and culture; something to do with the power, grandeur and grubbiness of US politics, with Vietnam, civil rights and the sixties. But I have always sensed that there was something else; something that also formed part of the loss-of-innocence narrative somehow. I have finally realised what it is. It is Dealey Plaza itself.
On the day of the assassination, those 15 acres, originally completed in 1940, presented a near-perfect tableau of pristine urban space in the modern era. The wide roads through the Plaza arc forward in their pleasing modernist geometries.
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