James Rhodes’s diary: Trying to catch out Stephen Fry, and the scandal of music education

This was the best kind of week. It started with a three-hour road trip with my manager/surrogate father/shrink/bodyguard to Monmouth to record album no. 5. Glenn Gould (whom I worship with the fervour of a pre-teen Belieber) talked about the ‘womb-like security of the recording studio’. Which was why, in a somewhat pussy move, he retired from performing in public. And he was spot on. Bless my mum, but my first womb was a Valium- and gin-infested warm place of loveliness, and the recording studio is absolutely the next best thing. Me, the safety net of the retake, a (phenomenal) Steinway, heaters, Kit-Kats, tea and Beethoven can give any pharmaceuticals a run for their money. Even if Gould somewhat greedily chose all that and the pills too.

Then back up to London for a weekend of practise before two same-day concerts in Vienna. And by practise I mean four hours a day of piano and 14 hours of whatever I fancy.Which