Mike Cormack

James Kelman’s ‘Memoirs’ are a misnomer

The former Booker Prize winner records several meetings with distinguished writers, but can’t remember a word that was said

James Kelman. Credit: Roberto Ricciuti/Getty Images 
issue 12 December 2020

James Kelman doubtless remains best known for his 1994 Booker prize win for How Late It Was, How Late and the subsequent furore. The brouhaha looks painfully absurd 25 years later with the plaudits Kelman has received (when not being dismissed as akin to an ‘illiterate savage’) perhaps the greatest in post-war English literature. Here is a writer to stand alongside Zola, Beckett and Joyce.Yet since then it feels as though Kelman’s audience has grown more selective — a process perhaps aided by his move to the USA in 1998 to teach creative writing at the University of Texas at Austin.

But with Kelman now in his 75th year, it’s long past time for the man himself to step forward. So we have What I Do (Memoirs), published by the small press thi wurd. I will admit to hungrily anticipating Kelman giving a personal insight into the Booker imbroglio, and was keen to know what he would say about, for example, Irvine Welsh, A.L.

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