Lloyd Evans Lloyd Evans

It’s years since I saw anything as nasty as this: Cock at the Ambassadors Theatre reviewed

Mike Bartlett should pop to the Bush Theatre's Red Pitch to see how real drama is done

Cock wants to be seen as Serious Art so there’s no décor or furniture: Jonathan Bailey (John), Phil Daniels (F), Taron Egerton (M) and Jade Anouka (W). Image: Brinkhoff Moegenburg 
issue 26 March 2022

Cock was written by Mike Bartlett in 2009 while he was in Mexico at a drama conference. The title suggests a cockpit where three characters compete for sexual dominance. W, meaning Woman, is a childminder attracted to a gay man, John, who is thick but handsome and deeply involved with M, or Man. W adores John even though he can’t stand women. ‘They’re like water when you really want beer,’ he says, charmlessly. When they have sex she politely asks him not to treat her genitals ‘like a Travelodge’.

After a brief fling, W decides she wants to marry John and raise a family with him in domestic bliss. But John isn’t so sure. He describes his girlfriend to others as ‘tall, manly and with big hands’. And John’s real problem is M, his long-term partner. Should John dump him or not? To help him decide, he invites W to dinner with M at the flat they share.

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