It was a dark and stormy night . . .

It is hardly surprising if from time to time a contemporary novelist should attempt to write a pastiche of Agatha Christie, if only in the hope of solving the mystery of her egregious popular success and its longevity. Year after year this gentlyreared Edwardian lady produced stories of sometimes fiendish ingenuity which were seized on eagerly by a world readership with the avidity of druggies awaiting their annual fix; murder without disturbing horror, loss without pain and class-consciousness without guilt. While prestigious prize-winning novels drop out of print, Christie’s paperbacks are still ranged on bookstore shelves. Gilbert Adair sets out his intention clearly, to pay homage both to the Golden Age of the English murder mystery and to its most brilliant practitioner.

So how far has he succeeded? The title is more reminiscent of a short story by Dickens than a Christie title, but the setting is totally in character.