It feels somehow improper to witness an author groping for the right words

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Philip Hensher has narrated this article for you to listen to.

The early stages of a literary work are often of immense interest. It is perhaps a rather tawdry kind of interest, like paparazzi shots of a Hollywood starlet taking the bins out before she’s put her make-up on. Of course it’s extraordinary to think that some of the most famous characters, events and lines in literature weren’t as we now know them but had to be struggled towards. Sometimes these efforts have the anachronistic but unavoidable sense of somebody getting it wrong.

Textual bibliographers have carefully classified the different steps a work takes from manuscript to first edition and subsequent versions. Perhaps we could go further in search of a writer’s progress. There are the inchoate thoughts, remote from any conscious intention – perhaps a sound, a mood, a phrase, a voice, a movement. Then some words that might merit being written down, even though no coherence is discernible.