What do they mean, these Islamofascists, by using children in their publicity films? Last month one of their films featured a cute British kid of about six called Isa Dare: he looked on admiringly and then threatened the kaffir. Earlier this month a new film showed an English-speaking boy of about ten actually beheading a Syrian prisoner with a little knife. It wasn’t widely reported. (Has such stuff become routine, or has the quality press decided to refuse to mediate such messages?)
Why the use of children? Does it make their regime seem scarier? Not really. Does it ensure such videos get maximum attention? Yes, but there’s more to it than that. It also heightens the attraction of the regime. To understand why, we have to revisit a rather unfashionable concept. This use of children is a form of primitivism.
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in