Viv Groskop

Is this the end of travel writing?

Sara Wheeler has long been drawn to the remotest places on Earth, but accusations of ‘cultural appropriation’ now bedevil the genre

Sara Wheeler in the Arctic Ocean, 2013.  
issue 11 March 2023

Thirty years ago, in the days when friendships were sustained not by email but by air mail, a friend of mine was spending time in some exotic faraway place. He would send me beautiful, florid accounts of his travels and I would read out the most hilarious passages to the flatmates I was living with at the time. When I next replied to him, I sent him their regards and let him know how much they had enjoyed hearing about his adventures. The next letter was angry. Although part of me understood why (I suppose I had rather naively and stupidly shared something that was supposed to be private), another part of me struggled with an expression that was new to me. I had apparently committed what he called an act of ‘cultural appropriation’.

I didn’t hear that phrase anywhere else for a long time. But from that moment on, I realised it was only a matter of time before any recounting of anything that happened anywhere, whether real or imagined, directly experienced or told secondhand, could be judged by someone somewhere to be a betrayal of trust, and a form of stealing: ‘This is not your story to tell.’

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