William Skidelsky

Is Serena Williams’s fame as a cultural icon eclipsing her tennis?

Gerald Marzorati appears even more impressed by her celebrity friendships and image of ‘struggling working mum’ than by the power of her serve

Serena Williams at the 2019 Met Gala Celebrating Camp: Notes on Fashion at the Metropolitan Museum of Art, New York, in 2019. [Getty Images] 
issue 10 July 2021

Serena Williams is not exactly an elegant tennis player — her game is based overwhelmingly on raw power — but one of her shots is an exception. Her serve is not only one of the most destructive strokes in tennis, it’s also one of the most beguilingly beautiful. Her action begins slowly, even ponderously — as if her limbs are reluctant to emerge from stillness. But from this heaviness comes a sudden gathering, an explosive acceleration, as racket, arm, trunk and legs are flung up in unison towards the ball. Gerald Marzorati devotes a couple of pages to Williams’s serve in Seeing Serena, and he points out something I’d never noticed, which is how ‘effortlessly smooth’ her ball toss is. No one, he writes, not even Federer, has ever used their non-dominant arm so efficiently on serve.

Marzorati knows his tennis well, and is good at observing such things — nuances of style and technique that often get overlooked.

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