Tanya Gold Tanya Gold

‘Is it France? I don’t know’: Hôtel de Crillon, Paris, reviewed

Hôtel de Crillon 
issue 10 February 2024

Hôtel de Crillon sits on the Place de la Concorde, a vast square renamed for bloodshed, then the lack of it – it was the Place de la Révolution, with knitting and bouncing heads. Now it is placid, and the Crillon is the most placid thing in it.

No one does grand hotels like the French, except perhaps the Swiss, who have nothing better to do. Hôtel de Crillon was one of twin palaces commissioned by Louis XV before the French butchered his grandson and his wife outside them: it looks like Buckingham Palace but prettier and with possible PTSD. It has been a hotel for 115 years and next to it our Ritz and Savoy look grubby, needy even, but they were built for the bourgeoisie. They have a different kind of grandeur, a kind I prefer.

My only issue with such comfort is: having found it, how do you live without it?

Like all grand hotels that want to survive, it has been remade, and I stare at deliberately confounding art – a feathered snake in a glass box, toy cars – and dine in three of its restaurants.

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