William Cook

Is it a good idea to splash money on European cities of culture?

Could splashing public money on city of culture initiatives make good business sense? <em>William Cook</em> reports

Capital asset: Riga’s 2014 programme reaffirms its cosmopolitan credentials [Getty Images/Shutterstock/iStock/Alamy] 
issue 08 February 2014

As you enter the old KGB building, at the end of Freedom Street, the first thing that hits you is the cold. Outside it’s below freezing. Inside it’s even colder. The cells are in the basement, down a dank and narrow corridor. Upstairs are the offices where the KGB filed away the details of the men and women they kept below. In the foyer, where people used to come in to enquire about their next of kin (who might be dead or in Siberia or in a cell downstairs for all they knew), there’s a letterbox where visitors could leave incriminating memos about their neighbours. ‘During the Soviet occupation the State Security Agency imprisoned, tortured, killed and morally humiliated its victims in this building,’ reads a plaque outside. Since Latvia won its independence this art-nouveau apartment block has been empty. This year it will reopen, as part of Riga’s year as European Capital of Culture.

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