Janine di Giovanni’s book begins in a Paris apartment during the first lockdown. She’s at a friend’s home, which she leaves for the odd shopping trip wearing a homemade mask and rubber kitchen gloves. Covid has made her anxious and she worries that we may lose things about our way of life forever. They need to be written down so we don’t forget. As she thinks about how her faith has comforted her during the pandemic she decides to tell the story of Christians in the Middle East who have experienced troubles of a different kind. She feels that Christianity is vanishing there, and if we don’t make a record of it, it will be lost.
It is springtime in Paris; the trees ‘blossom and the buds scatter on the sidewalks like stars’; but elsewhere the world isn’t so peaceful. Di Giovanni is a journalist who specialises in war zones, so she knows the score; and she keeps being drawn back to what’s happening in Iraq.
She describes her first trip there in 2002 when she toured the country with her trusty driver, Munzer, and her translator, Reem.
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