Painting History: Delaroche and Lady Jane Grey
National Gallery, until 23 May
Just up the road from where I write is the dramatic ruin of Framlingham Castle, the historical seat of the Howard family and the Dukes of Norfolk. The castle was granted to Princess Mary by her half-brother King Edward VI, and she took refuge there when on Edward’s death his second cousin Lady Jane Grey was named as his successor, rather than she herself. The country was in the grip of its worst period of internal religious strife, which Protestant Edward had tried to avoid by commending devoutly Protestant Jane to the crown. But the Catholics would have none of it, and Mary’s star was very soon in the ascendant. She rode from Framlingham to London to lead the counter-coup which would unseat Lady Jane Grey, and which would result in her own coronation as Mary I, soon to earn the nickname of Bloody Mary.
I mention this here because the centrepiece of this new exhibition is one of the most popular paintings in the National Gallery, ‘The Execution of Lady Jane Grey’, by Paul Delaroche (1797–1856).
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