Stephen Bayley

Intelligent design | 29 October 2015

Just as Jackson Pollock became the Great American Painter, the Eameses became the Great American Designer, and this Barbican exhibition shows how

issue 31 October 2015

Peter Mandelson, in his moment of pomp, had his portrait taken by Lord Snowdon. He is sitting on a fine modern chair. Mandy would no doubt have been aware of the ancient historic associations, through bishoprics and universities, that chairs have with power. Since it is a chair much admired by architects, Mandy also looks quite cool, although these things are relative.

The chair and its footstool are known as Eames Lounge 670 and Eames Ottoman 671, and they were first manufactured in 1956 by Herman Miller of Zeeland, Michigan. Curved plywood shells are veneered with Brazilian rosewood, upholstered with shallow black leather-studded cushions and supported, at a meaningful tilt (suggestive of relaxed authority), on a stellar metal support.

It is a conceptual and manufacturing masterpiece and has become the most famous chair ever. Its designers were Charles (1907–1978) and Ray Eames (1912–1988). In any setting, the presence of an Eames chair suggests an impressive level of designery taste.

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